Balthasar Resinarius
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Balthasar Resinarius (born Balthasar Harzer; c. 1483 – 12 April 1544) was a German composer, and a
Lutheran Lutheranism is one of the largest branches of Protestantism, identifying primarily with the theology of Martin Luther, the 16th-century German monk and reformer whose efforts to reform the theology and practice of the Catholic Church launched th ...
bishop, one of the first Lutherans in
Bohemia Bohemia ( ; cs, Čechy ; ; hsb, Čěska; szl, Czechy) is the westernmost and largest historical region of the Czech Republic. Bohemia can also refer to a wider area consisting of the historical Lands of the Bohemian Crown ruled by the Bohem ...
.


Life and career

It is regarded as proven the Resinarius, listed by the music publisher
Georg Rhau Georg Rhau (Rhaw) (1488 – 6 August 1548) was a German publisher and composer. He was one of the most significant music printers in Germany in the first half of the 16th century, during the early period of the Protestant Reformation. He was prin ...
, is identical with the composer Balthasar Harzer, also listed by Rhau. Harzer was born in Tetschen,
Bohemia Bohemia ( ; cs, Čechy ; ; hsb, Čěska; szl, Czechy) is the westernmost and largest historical region of the Czech Republic. Bohemia can also refer to a wider area consisting of the historical Lands of the Bohemian Crown ruled by the Bohem ...
. He received his musical education as a choir boy in the court chapel of King Maximilian I in Munich. He was also a pupil of
Heinrich Isaac Heinrich Isaac (ca. 1450 – 26 March 1517) was a Netherlandish Renaissance composer of south Netherlandish origin. He wrote masses, motets, songs (in French, German and Italian), and instrumental music. A significant contemporary of Josquin de ...
there. In 1515, he was enrolled as ''Baldassar Harczer'' to study at the
University of Leipzig Leipzig University (german: Universität Leipzig), in Leipzig in Saxony, Germany, is one of the world's oldest universities and the second-oldest university (by consecutive years of existence) in Germany. The university was founded on 2 Decemb ...
. From 1523, he worked on the initiative of as a Catholic priest in his home town. He got into a fierce dispute with a
Lutheran Lutheranism is one of the largest branches of Protestantism, identifying primarily with the theology of Martin Luther, the 16th-century German monk and reformer whose efforts to reform the theology and practice of the Catholic Church launched th ...
preacher, in the course of which he turned to the Bohemian king for help while the other party sought help from
Martin Luther Martin Luther (; ; 10 November 1483 – 18 February 1546) was a German priest, theologian, author, hymnwriter, and professor, and Order of Saint Augustine, Augustinian friar. He is the seminal figure of the Reformation, Protestant Refo ...
himself. It is not known whether this early and intense confrontation with the new faith led him to convert to Lutheranism. From 1534, he was active, under his
Latin Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the ...
name ''Resinarius'' as Lutheran pastor. He was bishop in Leipa from c. 1544 until his death. He died in Leipa. After Resinarius' death, the Renaissance humanist Georg Hansch, who lived in Leipa, published several commemorative publications ("Epitaphs") in memory of him; these present him as a kind and friendly, also helpful and with a beautiful voice talented person. In particular, Hansch repeatedly praises his striking, outstanding gift as a speaker and his theological scholarship and persuasiveness – with which he had won many followers for the Protestant teaching.


Importance

As a composer, Resinarius is regarded as one of the most important representatives of the first Protestant generation. His works are only known through the publications of Georg Rhau. He was directly inspired to write these works by the latter, who also introduced him, in the preface to his
Responsories A responsory or respond is a type of chant in western Christian liturgies. Definition The most general definition of a responsory is any psalm, canticle, or other sacred musical work sung responsorially, that is, with a cantor or small group si ...
, as an aged and hitherto unknown master. In his publication ''Encomion Musicae'' (1551), the author Johannes Holtheuser counted the composer among the most famous masters of his time. Especially noteworthy from the series of publications by Georg Rhau is the individual print of 1543 with compositions by Resinarius; this is, apart from a publication of the works of , the only publication Rhaus with works by only one composer (individual print). These pieces by the master found a wide distribution due to the publication of Georg Rhau in relevant manuscripts of the 16th century. The works of Resinarius correspond in content and composition in an excellent way to the efforts to provide music for the services of the early Lutheran church. The composer's stylistic means are rather conservative: a clear and concise
declamation Declamation (from the Latin: ''declamatio'') is an artistic form of public speaking. It is a dramatic oration designed to express through articulation, emphasis and gesture the full sense of the text being conveyed. History In Ancient Rome, decla ...
oriented to the
cantus firmus In music, a ''cantus firmus'' ("fixed melody") is a pre-existing melody forming the basis of a polyphonic composition. The plural of this Latin term is , although the corrupt form ''canti firmi'' (resulting from the grammatically incorrect tr ...
, a
rhythmic Rhythmic may refer to: * Related to rhythm * Rhythmic contemporary, a radio format * Rhythmic adult contemporary, a radio format * Rhythmic gymnastics, a form of gymnastics * Rhythmic (chart) The Rhythmic chart (also called Rhythmic Airplay, and ...
and melodic balance, a frequently encountered parallel course of the voices among themselves and the absence of any articial
counterpoint In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradi ...
. These lead to an always clearly understandable text presentation with sometimes confessional forcefulness. Typical of his writing style are also numerous archaic elements (
Landini cadence A Landini cadence (Landini sixth or Landini sixth cadence), or under-third cadence, is a type of cadence, a technique in music composition, named after Francesco Landini (1325–1397), a blind Florentine organist, in honor of his extensive use ...
,
cadences In Western musical theory, a cadence (Latin ''cadentia'', "a falling") is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards.Don Michael Randel (19 ...
with double
leading-tone In music theory, a leading-tone (also called a subsemitone, and a leading-note in the UK) is a note or pitch which resolves or "leads" to a note one semitone higher or lower, being a lower and upper leading-tone, respectively. Typically, ''t ...
, also empty sounds etc.). The
Johannespassion The ''Passio secundum Joannem'' or ''St John Passion'' (german: Johannes-Passion, link=no), BWV 245, is a Passion or oratorio by Johann Sebastian Bach, the older of the surviving Passions by Bach. It was written during his first year as dire ...
by Resinarius is one of the few through-composed passions from the first half of the 16th century that is strictly based on the
liturgical Liturgy is the customary public ritual of worship performed by a religious group. ''Liturgy'' can also be used to refer specifically to public worship by Christians. As a religious phenomenon, liturgy represents a communal response to and partic ...
Passion tone. It also betrays both lyrically and musically, as does the St. Mark Passion by
Johannes Galliculus Johannes Galliculus (Alectorius, Hähnel, Hennel; c. 1490 in Dresden – c. 1550 in Leipzig) was a German music theorist and composer. He was active ca. 1520 in Leipzig. He was the cantor of the Thomanerchor from 1520 to 1525. Works Editions: ...
, the model for the through-composed Passions by
Jacob Obrecht Jacob Obrecht (also Hobrecht; 1457/8
and Antoine de Longueval. (around 1498 – 1525). If one compares them with the Passions of Longueval, for example, one notices the numerous ''internal cadenzas'', which partly override the structure of the text.


Work

The works of Resinarius are exclusively vocal music and are based, with one exception, on publications by Georg Rhau in
Wittenberg Wittenberg ( , ; Low Saxon language, Low Saxon: ''Wittenbarg''; meaning ''White Mountain''; officially Lutherstadt Wittenberg (''Luther City Wittenberg'')), is the fourth largest town in Saxony-Anhalt, Germany. Wittenberg is situated on the Ri ...
: * 4
hymn A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' ...
s for four voices: "Caeduntur gladiis", "Deus tuorum militum", "Jesus corona virginum" and "Urbs beata Jerusalem", 1542, as Balthasar Hartzer * collection ''Responsoriorum numero octoginta de tempore et festis iuxta seriem totius anni, Libri duo. Primus de Christo, & regno eius, Doctrina, Vita, Passione, Resurrectione & Ascensione. Alter, de Sanctis, & illorum in Christum fide & Cruce'' for four voices, 1543, 2nd edition 1544 * 30
chorale Chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the t ...
settings for four voices, 1544, including "Ach Gott, vom Himmel sieh darein", "Gelobet seist du, Jesu Christ" and "Nun komm, der Heiden Heiland" *
Introit The Introit (from Latin: ''introitus'', "entrance") is part of the opening of the liturgy, liturgical celebration of the Eucharist for many Christian denominations. In its most complete version, it consists of an antiphon, Psalms, psalm verse and ' ...
"Deus misericordiam" for four voices, 1545 * 3
motet In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margar ...
s for four voices: ''Factum est autem'', ''In principio erat verbum'' and ''Liber generationis'', 1545 * 3 verses for two voices: ''Eya inquit Paulus'', ''Tradiderunt'' and ''Vigilia te ergo'', 1545 (not published by Georg Rhau) * Hymn ''Beatus author saeculi'' for four voices * 4 other hymns for four voices.


References


Further reading

* J. Haudeck: ''Musik und Gesänge im Leipaer Bezirke'', in ''Heimatkunde des politischen Bezirks Böhmisch-Leipa'', Leipa 1904 * W. Gosslau: ''Die religiöse Haltung in der Reformationsmusik'', Kassel 1933 * G. Pietzsch: ''Zur Pflege der Musik an den deutschen Universitäten'', in ''Archiv für Musikforschung'' Nr. 3, 1938, ; Nr. 6, 1941, and Nr. 7, 1942, * Inge-Maria Schröder: ''Die Responsorienvertonungen des Balthasar Resinarius'', Bärenreiter, Kassel / Basel 1954 * V. H. Mattfeld: ''Georg Rhaw’s Publications for Vespers'', Brooklyn / New York 1966 * B. M. Fox: ''A Liturgical-repertorial Study of Renaissance Polyphony in Bártfa Mus. Pr. 6 (a-d), National Széchényi Library, Budapest'', dissertation at the University of Illinois 1977 * Irmlind Capelle: ''Zur Verwendung des Passionstons in den durchkomponierten Passionen des 16. Jahrhunderts, insbesondere in der "Johannes-Passion" Leonhard Lechners'', in Festschrift for A. Forchert, edited by G. Allroggen and D. Altenburg, Kassel among others 1986, * K. von Fischer: ''Die Passion. Musik zwischen Kunst und Kirche'', Kassel among others 1997.


External links

* * {{DEFAULTSORT:Resinarius, Balthasar Renaissance composers 16th-century hymnwriters 16th-century German composers 16th-century Lutheran bishops 16th-century German Roman Catholic priests 1544 deaths People from Děčín